Monkey Beach by Eden Robinson ~ 2000. This edition: Vintage Canada, 2001. Softcover. ISBN: 0676973221. 377 pages.
My rating: 9.5/10.
Fabulous writer, this Eden Robinson.
Part of the time (most of the time) the words flow effortlessly and reading them is like riding the crest of a perfect wave; occasionally the reader is tumbled out of complacence and, gasping a bit from the shock, needs to go back over what has just been read, to readjust to what’s just been thrown at you.
This would have been a solid 10, but I docked the half point because the story fell into cliché right near the end, after brilliantly flouting expectations most of the way through.
Picking snippets at random from the first page of a Google search on Monkey Beach yields these comments: “(C)ombines both joy and tragedy in a harrowing yet restrained story of grief and survival…”; “(F)illed with intense landscapes…”; “(A)ddresses issues related to race, historic oppression, and the clash between cultures in a coming-of-age ghost story…”; “(A) story about childhood, family, loss, grief and life on a 21st century Native-Canadian reserve…”
Ooh, sounds all deep and Can-Lit dark, doesn’t it? But the story transcends these sound-bite assessments. Already at the bottom of the first page I couldn’t look away; I read eagerly to the end (flagging just a little when the author stubbed her toe on the possible-but-slightly-contrived reason for her brother’s motivations regarding that trip out onto the ocean); completely accepted the rather vague ending scenario (who’s really alive? dead? what does it all mean?); and eagerly pressed it into my husband’s hands: “You must read this book!” (And he did, and he loved it, too.)
A surprisingly funny and, yes, cheerful (in places) sort of book for all of the tragedies it describes.
The internet is seething with reviews on this one; I missed it when it first came out, but apparently it was a Giller Prize finalist and a Governor General’s Award finalist in 2000. It apparently made quite a stir, and in the thirteen years since first publication has become a Can-Lit high school/college standard; likely because (cynicism alert!) of its First Nations author, characters, and themes. And (of course!) because it’s a well-written and cleverly complex tale; lots of room for exploration, and the generation of many words of student “analysis”.
I was going to give you a quickie overview, but instead I’m about to cheat big time and refer you to the Canadian Literature Quarterly of Spring 2001, to the article Beauty and Substance by Jennifer Andrews, which nicely sums things up.
Eden Robinson’s Giller-Prize nominated Monkey Beach … [creates] a darkly comic narrative about the life of Lisamarie Hill, a woman who returns to memories of her childhood and adolescence in order to cope with the disappearance of her brother, Jimmy. Robinson, a mixed-blood Haisla and Heiltsuk woman raised near the Haisla village of Kitamaat, has previously published a collection of short stories, Traplines (1996), that won the Winifred Holtby Prize, the Prism International Prize for Short Fiction, and was selected as a New York Times Notable Book of the Year. Like Robinson, the protagonist, Lisamarie—named after Elvis Presley’s daughter—negotiates various worlds while growing up in Kitamaat. She moves between the eclectically traditional ways of her grandmother, Ma-ma-moo, who educates Lisamarie by sharing her passion for television soap operas and teaching her the Haisla language, and the New World activism of her Uncle Mick. A complex web of contradictions, Mick is a survivor of the residential school system, a Native activist who once belonged to the American Indian Movement, a nomad who can never rest, and an Elvis fan whose passion for the “King” knows no bounds. He offers another dimension of experience to Lisamarie by encouraging her to express herself politically. After losing both Mick and Ma-ma-moo, Lisamarie must figure out a way to put her life back together and come to terms with these ghosts from her past.
The novel traces Lisamarie’s journey to discover the fate of her brother, a boat ride that gives her the time and space to recount her story. The narrative is rooted in the beauty and mystery of place, particularly Monkey Beach, a site of family outings and rumoured sasquatch sightings. Robinson’s ability to evoke characters through dialogue and create vivid images of the community, coupled with her awareness of the intricate links between individuals and the land they live on gives the novel a richly layered texture that conveys the significance of Lisamarie’s mixed-blood heritage (Haisla, Heiltsuk, and European). Although the structure of the novel suspends the immediate action of the story, a risky strategy, Robinson’s narrative weaves together multiple plot lines with subtlety and grace, delicately responding to readers’ desire to know the fate of Lisamarie’s brother and the need to recount her past. Moreover, the comic aspects of the novel provide a wonderful counterbalance to the bleakness of Lisamarie’s life, particularly when she ends up living on the streets of East Vancouver. Robinson creates a novel in which humour may lighten the moment but irony ensures that the full weight of tribal histories of colonization and genocide remains a potent force in the text. This is one case in which beauty and substance join together, creating a novel that delivers what it promises.
What else can I add? If you come across this book, pick it up and start reading. If it hooks you, go on. Its early promise holds up remarkably well.
Then, when you’ve read it, check out the author biography and interview at B.C. Book World.
I remember when this came out being so impressed that there was actually a book set in Kitamaat and, even more, named after a place I had been! In fact, my dad and brother are up there right now. But I still haven’t read it and it sounds like I am missing out. Time to remedy that!
You’ve been to Kitamaat?! Lucky you! We haven’t yet made it out to the Charlottes/Haida Gwaii, though it is on our short list of trips we need to do. Re: the book – worth reading. You’ll know right away if it’s something you’ll like. 🙂
The area around Kitamaat is beautiful, especially if you can get out on a boat and explore all of the islands that hug the coastline. I’ve never made it to the Charlottes either but it is on my list of places to go. I have a few friends who live or have family up there so would love to go when they’re around.
I think this book is so wonderful, and not as widely read as it should be. I read it when it was new, and think that I should reread it, as I’m sure I’d get much more from it now. I recall having a similar reaction to the ending, but can’t remember all the details well enough to say exactly what I thought. Glad you’ve discovered this author!
I picked up another of Eden Robinson’s books the other day, but the themes seemed darker (if possible!) than those in Monkey Beach, so I haven’t tackled it yet. I will, though. Great writer.
This has been on my TBR list for a while now. I must order a copy and read it this year. Thanks for the nudge.
It’s a strong story, well told. Definitely worth a look.