David Suzuki: The Autobiography by David Suzuki ~ 2006. This edition: Greystone Books, 2006. Hardcover. ISBN: 1-55365-156-1. 404 pages.
My rating: 5/10. Interesting to get some of Suzuki’s back story, but sadly my personal regard for this enviro-icon took a small step downward after reading it. It seems like the ego displayed here is as large as the legend.
*****
There’s a little comment someone made in my hearing years ago, which comes to mind right now: “If you want to know how good he is, just ask him”.
Packing a whole bundle of firewood on his shoulder (and understandably so) stemming from his family’s mistreatment during the World War II Japanese-Canadian internments and appropriation of property, David Suzuki grew up feeling like he had something to prove, and he’s succeeded to do just that, in spades. The depth of love/hate public feeling regarding this one soft-spoken and absolutely brilliant man goes to show how influential he has become.
The political right wing hates him, the lefties have made him their god. I tend to swing left, and I deeply admire David Suzuki for the focus on environmentalism he has forced into the public eye, but this autobiography shows all too clearly the god’s feet of clay.
This book looks back briefly to Suzuki’s childhood in B.C. Born in 1936, David Suzuki was six years old when he, his mother and sisters were interned in one of the camps for Japanese-Candians in the Slocan Valley. His father spent the war in a separate labour camp. After the war, the Suzukis moved to Ontario, where David completed his high school education before attending university in the U.S.A., attaining a PhD in Zoology in 1961.
Returning to Canada, Suzuki worked as a professor and researcher in genetics at the University of British Columbia. Branching out to participate in public education, he founded the popular CBC Radio science program Quirks and Quarks in 1974, and the iconic television series The Nature of Things in 1979. David Suzuki was a household name by the mid-70s, and his profile has grown exponentially through the years.
The Autobiography is honest enough in that Suzuki frankly discusses his two marriages and his shortcomings as a less than involved husband and father. His deep dedication to his work and his increasingly hectic public life often separated him from his family, and he freely admits that this is something he now regrets.
Most of this book is a listing of various events Suzuki has been involved in during the past twenty years; plenty of name-dropping of the celebrities he rubbed elbows with – Sting! Buffy St. Marie! John Denver! – and plenty of slightly patronizing commentary on how he brought this, that and the next thing to the public attention. True, so true, but the tone doesn’t feel very kind-spirited at times.
The writing is not the strong point here, either. The subject matter would be much more enthralling if it weren’t dealt with in such a flat “Then I said, then I did, then I said, then I did” manner. There are some personal anecdotes, mostly concerning his parents, and the death of his father, where he lets himself go, and these are the most poignant and memorable of this rather dull book.
I would say “read it” just to get a deeper understanding of this fascinating and frequently self-sacrificing man, but be prepared to come away feeling something like a member of the great unenlightened, living in the dark and waiting for The Master to flick the switch. You really want to know how good David Suzuki is? Read The Autobiography. He’ll tell you.
Leaves & Pages 