The Loved and Envied by Enid Bagnold ~ 1951. This edition: Virago Modern Classics (Penguin), 1988. Introduction by Isabel Colgate. ISBN: 0-14-016211-9. 280 pages.
Lady Ruby Maclean, famed beauty, lives with her Scottish husband Gynt at his family’s French estate, the Chateau of Little Pouilly, based on the real-life Chantilly, as Lady Maclean herself is based on Bagnold’s friend, famed society beauty Lady Diana Cooper.
Though the plot of novel is purely fictional, the character portrait is widely accepted to be a true (and flattering) one, to the extent that the Virago cover illustration is a replication of a portrait of Lady Diana on her wedding day.
Not much happens, action wise, in this quietly thought-provoking book, with most of the turmoil being mental and emotional, but once we are hooked it all becomes immensely interesting. I found it to be one of those novels one spent time thinking about while one was off doing other things; the characters became real, and their fears and joys relatable.
The fears tend to predominate, at least superficially, as this is a novel very much concerned with aging and death. Lady Maclean, the “loved and envied” of the title, undeniably coming to the end of middle-age at fifty-three, muses on her status as a great beauty, and what this has meant to her in every aspect of her life so far, and how the inevitable deterioration in her physical appearance has started to affect how others now react to her in the most subtle of ways.
This is a masterfully written book, in a purely technical sense, and, once I figured out the writer’s game, I became a willing co-player. Bagnold takes us back and forth through time, revisiting certain episodes from varying characters’ points of view, bringing in minor characters for a paragraph or a page to allow another aspect of a scene to be verbalized, and weaving all of these at-first over-abundant threads together to create a cohesive picture at the end.
Though Ruby, Lady Maclean, is the key element in the vision that unfolds, Bagnold keeps a juggler’s handful worth of other stories in play as we go along.
We have Ruby’s husband Gynt, a reclusive insomniac pursuing night birds through the French woods, compulsively engaged upon writing a orthinological life-work. Their daughter Miranda, beloved of both parents, but herself deeply resentful of her glamorous mother’s life-long overshadowing. Tuxie, the slippery ne-er-do well who marries Miranda with high expectations and subsequent bitter disappointment; their removal to Jamaica and an eventual tragedy provide a touch of melodrama.
There is famous painter Cora, Ruby’s closest female friend, hideous in appearance but a genius at her art. And Cora’s ex-husband Rudi, a once-popular playwright who has written the same script a few times too many, to the brutal critics’ gleeful delight.
Rose, now-elderly life-long mistress of the Edouard, Vicomte de Bas-Pouilly, is superficially aged but retains her ardently youthful devotion to Edouard, and is in turn faithfully cherished by her aristocratic lover, to the secret fury of his jealous sister.
James, Edouard’s nephew and heir, who is infatuated with the much-older Ruby, until circumstances bring Miranda back to France. (Miranda’s transformation from dowd to siren through the wonders of a genius dressmaker is a play-within-a-play, a delicious glimpse at the clothes of the period, with yet another character added to the cast: Lew Afric, “pederast” and grand couturier.)
The Duca Alberti Marie-Innocence de Roccafergola, physically massive, emotionally sensitive. Ruby’s closest male confidante, Miranda’s beneficient godfather. His long time servant Celestine, who one day expresses a surprising desire to become a duchess by marriage. (Alberti obliges, with complicated results.)
Ruby’s aunt, Ursula, born with a hideous deformation which has taken her around the world in an effort to find a way of concealing it. A highly successful career as a beautician to the elite women of London follows, and her adoption of her orphaned niece provides her an outlet for love frustrated since her infancy, when those who should have cherished her were instead repelled by her appearance. Ruby owes some of her beauty to Ursula’s care; the two have an intricate bond which transcends the obvious.
By the end of the novel, a number of these key characters are dead, which doesn’t prove as melancholic as it might, much to my relief as a reader. For I myself am well into the dangerous age, the time of one’s life when one’s own mortality becomes much more than an abstract concept, as one realizes just how many funerals those only a little older – and, more poignantly, of peers – one has been attending…
Fantastic novel. I enjoyed it greatly, though I didn’t much care for it a decade or so ago when I tried it for the first time. Perhaps I was still too young?! This time round I devoured it.
My rating: 9/10. A definite keeper.
And I am going to be keeping my eyes open for Bagnold’s other novels, of which the only one I have read is 1935’s National Velvet. (That one is a decided 10/10 – and I need to say, to those who have so far scorned it, it’s not at all a children’s book, despite its perpetual marketing as such.)
Of these, A Diary Without Dates (1917), The Happy Foreigner (1920) , and The Squire (1938), all appear to by reasonably attainable. (The Squire was republished by Persephone just a few years ago, and is already on my wish list from that most estimable establishment.)
And last but not least, I’ve submitted The Loved and Envied as an entry with The 1951 Club. Another stellar year in books! Keep yours eyes open for a links roundup either here or here. Thank you, Simon and Karen, for setting this up.
I haven’t read anything by Bagnold, but I’ll definitely be looking out for her books now.
Lovely review and thanks for joining in with the #1951club! I’ve not read any Bagnold though I suspect I might have something lurking on the Virago shelf which should be pulled out sooner rather than later!
This is defintely a book I want to read – I loved The Squire. I would want to find one with that cover.
[…] The Loved and Envied by Enid Bagnold Leaves and Pages […]
This was on my list for the 1951 Club, until I discovered that my copy was down in Somerset… and now I’m all the more cross that I didn’t get to it! I still haven’t read any Bagnold, but have quite a few (including a signed copy of her autobiography!)
I am deeply sorry to report that you said “Lady Diana,” and I immediately started thinking about The Sheik and that was then all I could think of. What a great/terrible book/movie.
Well done you. What a great review. I too am at that dangerous age but found The Loved and Envied somewhat more difficult to read than you did. Although I didn’t hate it by any stretch, I found it somewhat bleak.
Went and ordered this before I’d even finished your review. Sounds exactly the kind of book I like to read on holiday. Bagnold has a very strange style, which I don’t always get on with, and I read a biography which made her sound horrible. But, this sounds like the book to spend an afternoon with…
I adore Bagnold and enjoyed your review very much. I loved this great novel about aging when I read it some years back but had forgotten all about it (perhaps because I’m aging???).
What a great review. I bought the book and I love it. I am determined to read more by Bagnold. Thank you for all the wonderful tips – they are much appreciated.
Read and enjoyed on your recommendation. It’s been a long time since this post, I hope you’re all right!
I’m fine! Just wrapping up our very busy spring season – I operate a small perennial plant nursery, and this year was extremely hectic, in a good way. Something had to be put on the back burner, so it turned out to be blogging. (And, sadly, housework!) 😉 I did read a bit in there, literally a few minutes at night before falling into exhausted sleep. Took me days and days to read what I generally race through in a much shorter time. I’ll be back with a proper post soon! Thank you for your kind thoughts. 🙂