My rating: 8/10. Jane Victoria Stuart is one of the more likeable young heroines in Lucy Maud Montgomery’s repertoire. Great gaps in believability here and there, but overall an engaging tale for romantic souls from youth (say 12-ish) to adult.
Jane Victoria Stuart is eleven years old, and for eight of those years, the years she can remember, she has lived in a huge mansion in Toronto with her extremely wealthy, emotionally frigid grandmother and her delicately beautiful, weak-willed mother. As far as she knows her father is dead. He is never mentioned, except in snidely allusive references by her grandmother to “Victoria’s” tainted ancestry as demonstrated by her “low” tastes – a desire to cook and fraternize with the housekeeper in the warmly cozy kitchen, and a friendship with the young maid-of-all-work in the boarding house next door.
Grandmother makes no secret of her distaste for Jane Victoria – every creature comfort is provided but emotional needs go unfulfilled. Jane, as she secretly calls herself in defiance of her grandmother’s preferred Victoria, shares a deep love with her mother, but open demonstrativeness is impossible – even a glance or a motherly caress is deeply resented by bitter and jealous grandmother, who clings to her own daughter with fierce possessiveness.
The days go by uneventfully, and the future stretches forth relentlessly, until a chance taunt by a schoolmate reveals a secret which has been hidden from Jane by her grandmother and mother. Her father is not dead, but very much alive, and her mother is neither widowed or divorced but rather in a limbo of estrangement, unable to move either forward or back in the restricted social life engineered by the household matriarch.
Jane confronts her mother with the news and asks if it is true, and in one of her rare human moments Grandmother apologizes to Jane for keeping the secret for so long. But now that you know, consider him as dead, she orders Jane, and Jane solemnly and willingly agrees – this man who has abandoned her and made her mother so miserable is best forgotten.
Imagine Jane’s dismay when a letter comes soon after from Prince Edward Island, requesting Jane’s presence at her father’s summer residence over the summer holidays. With great trepidation Jane sets off into the unknown and greatly dreaded wider world.
Needless to say, everything works out, and happy endings abound. But before we get to them there are a number of little dramas which must be worked through, some more unbelievably than others.
A really nice heroine, practical and earnest and well-deserving of the good things which eventually come her way. Give this one to your pre-teen daughters, but don’t forget to read it yourself; mildly melodramatic and ultimately very satisfying.
Might make a good read-aloud, for ages maybe 8 and up. Marital troubles and divorce are central plot themes, as is emotional abuse by Jane’s grandmother, but these are necessary to the building of tension in the storyline. Rather reminiscent of Frances Hodgson Burnett’s A Little Princess in mood, I thought, including the improbable (but most satisfactory) way everything clicks into place in the end. No loose threads – all neat and tidy! Jane would approve.
Disney made a movie of this one a few years back, which I’ve not seen, but apparently it departs wildly from the original story and is not recommended by aficionados of the book.