Posts Tagged ‘Poetry’
Poetry: ‘Colors passing through us’ by Marge Piercey
Posted in 1990s, Poetry, tagged Poetry on June 29, 2013| 3 Comments »
Poetry: “The Unhappy People” by Alden Nowlan
Posted in 1970s, Poetry, tagged Canadian, Poetry on April 13, 2013| Leave a Comment »
The Unhappy People
Professor, may I introduce you
to two of the Unhappy People, whom you’ve described
as inhabiting a cultural vacuum
somewhere between the swamps of Frustration
and the salt sea of Despair.
May I present my wife’s cousins, Corey and Brent.
You will note immediately that their teeth are translucent,
the colour of reconstituted powdered milk,
which can be attributed to hereditary malnutrition,
as their lack of earlobes can be ascribed to inbreeding.
You are free to make notes, if you wish.
At worst, they’ll merely laugh at you.
Professor, I must ask you to forgive
the mandolin, the five-string banjo, the guitar, the fiddle
and the jew’s-harp. I must ask you to bear with
Brent when he dances – he prefers it to walking to
the refrigerator for another beer – and Corey when he
scratches
his groin in symbolic tribute to the girl in the yellow
bathing suit
playing with a frisbee on the grass across the street.
I know it’s distracting when, for no apparent reason,
they break into song. I can understand your not laughing
with them when they talk about driving
four-year-old cars at one hundred and ten
miles per hour down dirt roads with the police behind them,
of overturning and wondering drunkenly how to shut off
the headlights, until logic triumphed and they kicked
them out.
I beg you not to be disturbed when they whoop
at the tops of their voices – it’s in their blood,
I’m afraid, their way of declaring an instantaneous holiday
and, besides, Brent got out of jail this morning
or, as he puts it, got back from his annual vacation,
having been locked up this time because he didn’t
know his own strength, he says, and when he was refused
service
at the liquor store, being drunk, forgot he was carrying
nothing under his left arm to offset the force of his right
pushing open the door on his way out and so, purely by
accident,
drove his fist through the glass:
it could have happened to anybody, Your Honour,
he told the Court. You must excuse Corey, Professor,
like every other member of his family he walks in and out
of rooms without thinking it necessary to offer
any explanation. When they arrive at my house
or any other, they open the door, come in, sit down
and, perhaps, switch on the radio. They’d expect you to do
the same.
If you go to the window, Professor, you’ll see
that he’s talking with the girl in the yellow bathing suit
and already has her laughing. “Once you got them laughing,
you’re as good as in bed with them,” Brent says.
In celebration
he jumps up again and dances. They’ve brought venison
and wild rice and a half-dozen jars of their mother’s
homemade preserves and pickles, fresh loaves of her bread
two double cases of beer and a forty-ounce bottle
of dark rum, having shut down the cannery
where Corey works in honour of Brent’s homecoming.
“I said to hell with ‘er, let’s tie ‘er up.”
and with unanimous approval of his fellows,
conveyed without a word, he tied her up well
by making certain delicate adjustments to the machinery
when the bosses weren’t watching. His laughter and his
brother’s
laughter and the laughter of the girl in the yellow bathing
suit
mingle and rise like water from a garden hose, spraying the
windows
from inside and out. The passersby turn
and smile, a neighbour’s dog runs to see what’s happening,
a host of starlings take wing, the tiger lilies are in flower
at the edge of the parking lot next to this house.
Professor, I don’t suppose you’d care to arm-wrestle?
Alden Nowlan ~ Smoked Glass ~ 1977
This poem is dedicated to some guys I used to know.
Gone, most of them, flamed out and crashed and burned in (mostly) self-imposed self-destruction.
The hard living took its toll, but they had a grand time while it lasted.
And they made a lot of people laugh.
Gone, but definitely not forgotten!
Poetry: “Northern April” by Edna St. Vincent Millay
Posted in 1920s, My World, Poetry, St. Vincent Millay, Edna, tagged My World, Poetry, St. Vincent Millay, Edna, Vintage on April 5, 2013| 4 Comments »
A happy find yesterday while book-shopping! Two volumes of poetry by Edna St. Vincent Millay, Collected Lyrics and Collected Sonnets, both published by Harper & Row mid-2oth Century, with poems chosen by Millay herself. And while peacefully reading Lyrics this rainy, windy morning, the following struck me as almost too perfectly appropriate.
Enjoy.
Northern April
O mind, beset by music never for a moment quiet, –
The wind at the flue, the wind strumming the shutter;
The soft, antiphonal speech of the doubled brook, never for a moment quiet;
The rush of the rain against the glass, his voice in the eaves-gutter!
Where shall I lay you to sleep, and the robins be quiet?
Lay you to sleep – and the frogs be silent in the marsh?
Crashes the sleet from the bough and the bough sighs upward, never for a moment quiet.
April is upon us, pitiless and young and harsh.
O April, full of blood, full of breath, have pity upon us!
Pale, where the winter like a stone has been lifted away, we emerge like yellow grass.
Be for a moment quiet, buffet us not, have pity upon us,
Till the green comes back into the vein, till the giddiness pass.
Edna St. Vincent Millay ~ 1928
Poetry: Excerpts from “The Rock” by T.S. Eliot
Posted in 1930s, Poetry, tagged Poetry, Vintage on January 3, 2013| 11 Comments »
Thinking of T.S. Eliot tonight, because of the way his poetry has been showing up in my reading lately. I’ve just finished reading Hugh Walpole’s The Joyful Delaneys, and was intrigued by the snippet of Eliot verse on the frontispiece, so I searched it out. It’s from a play, The Rock, written and performed in 1934. I’ve gone through the verses and highlighted those which I found the most compelling; the entire work is 21 pages long, so it is a bit lengthy to include in its entirety here.
The Rock was performed as a pageant to raise money for the building of new churches in London. It speaks to mankind’s relation to God, about the implications of a world lived without religion, and, more to the point, what it means to build a church. The famous “Choruses” are spoken by bands of workmen. The Rock is strongly pro-religion with anti-fascist/anti-communist overtones, in reaction to the looming shadow of the totalitarian regimes building in Europe, and the rumblings of the coming Second World War.
The entire text can be found here: T.S. Eliot – The Rock
Even taken out of context with the whole work, many of these verses are memorable.
*****
The Eagle soars in the summit of Heaven,
The Hunter with his dogs pursues his circuit.
О perpetual revolution of configured stars,
О perpetual recurrence of determined seasons,
О world of spring and autumn, birth and dying!
***
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
***
I journeyed to London, to the timekept City,
Where the River flows, with foreign flotations.
There I was told: we have too many churches,
And too few chop-houses. There I was told:
Let the vicars retire. Men do not need the Church
In the place where they work, but where they spend their
Sundays.
In the City, we need no bells:
Let them waken the suburbs.
I journeyed to the suburbs, and there I was told:
We toil for six days, on the seventh we must motor
To Hindhead, or Maidenhead.
If the weather is foul we stay at home and read the papers.
In industrial districts, there I was told
Of economic laws.
In the pleasant countryside, there it seemed
That the country now is only fit for picnics.
And the Church does not seem to be wanted
In country or in suburbs; and in the town
Only for important weddings.
***
The world turns and the world changes,
But one thing does not change.
In all of my years, one thing does not change.
However you disguise it, this thing does not change:
The perpetual struggle of Good and Evil.
***
The desert is not remote in southern tropics,
The desert is not only around the corner,
The desert is squeezed in the tube-train next to you.
The desert is in the heart of your brother.
***
The voices of the Unemployed:
No man has hired us
With pocketed hands
And lowered faces
We stand about in open places
And shiver in unlit rooms.
Only the wind moves
Over empty fields, untilled
Where the plough rests, at an angle
To the furrow. In this land
There shall be one cigarette to two men,
To two women one half pint of bitter
Ale. In this land
No man has hired us.
Our life is unwelcome, our death
Unmentioned in “The Times.”
***
What life have you if you have not life together?
There is no life that is not in community,
And no community not lived in praise of God.
***
And now you live dispersed on ribbon roads.
And no man knows or cares who is his neighbour
Unless his neighbour makes too much disturbance,
But all dash to and fro in motor cars,
Familiar with the roads and settled nowhere.
Nor does the family even move about together.
But every son would have his motor cycle,
And daughters ride away on casual pillions.
***
In the land of lobelias and tennis flannels
The rabbit shall burrow and the thorn revisit,
The nettle shall flourish on the gravel court,
And the wind shall say: “Here were decent godless people:
Their only monument the asphalt road
And a thousand lost golf balls.”
***
When the Stranger says: “What is the meaning of this city?
Do you huddle close together because you love each other?”
What will you answer? “We all dwell together
To make money from each other”? or “This is a community”?
And the Stranger will depart and return to the desert.
О my soul, be prepared for the coming of the Stranger,
Be prepared for him who knows how to ask questions.
О weariness of men who turn from God
To the grandeur of your mind and the glory of your action,
To arts and inventions and daring enterprises.
To schemes of human greatness thoroughly discredited.
Binding the earth and the water to your service,
Exploiting the seas and developing the mountains,
Dividing the stars into common and preferred.
Engaged in devising the perfect refrigerator,
Engaged in working out a rational morality,
Engaged in printing as many books as possible,
Plotting of happiness and flinging empty bottles,
Turning from your vacancy to fevered enthusiasm
For nation or race or what you call humanity;
Though you forget the way to the Temple,
There is one who remembers the way to your door:
Life you may evade, but Death you shall not.
You shall not deny the Stranger.
***
But it seems that something has happened that has never happened before:
though we know not just when, or why, or
how, or where.
Men have left God not for other gods, they say, but for no god;
and this has never happened before
That men both deny gods and worship gods, professing first
Reason,
And then Money, and Power, and what they call Life, or Race,
or Dialectic.
The Church disowned, the tower overthrown, the bells up-
turned, what have we to do
But stand with empty hands and palms turned upwards
In an age which advances progressively backwards?
***
T.S. Eliot ~ 1934
Poem: “Instructions” by Neil Gaiman
Posted in 2000s, Poetry, tagged Poetry on November 26, 2012| Leave a Comment »
INSTRUCTIONS
Touch the wooden gate in the wall you never saw
before.
Say “please” before you open the latch,
go through,
walk down the path.
A red metal imp hangs from the
green-painted front door,
as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat nothing.
However, if any creature tells you that it hungers,
feed it.
If it tells you that it is dirty,
clean it.
If it cries to you that it hurts,
if you can,
ease its pain.
From the back garden you will be able to see the wild
wood.
The deep well you walk past leads down to Winter’s
realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back, safely;
you will lose no face. I will think no less of you.
Once through the garden you will be in the wood.
The trees are old. Eyes peer from the undergrowth.
Beneath a twisted oak sits an old woman.
She may ask for something;
give it to her. She
will point the way to the castle. Inside it
are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyond the castle the
twelve months sit about a fire,
warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December’s frost.
Trust the wolves, but do not tell them
where you are going.
The river can be crossed by the ferry.
The ferryman will take you.
(The answer to his question is this:
If he hands the oar to his passenger, he
will be free to leave the boat.
Only tell him this from a safe distance.)
If an eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.
Do not be jealous of your sister.
Know that diamonds and roses
are as uncomfortable when they tumble
from one’s lips as toads and frogs:
colder, too, and sharper, and they cut.
Remember your name.
Do not lose hope — what you seek will be found.
Trust ghosts. Trust those that you have
helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.
When you come back, return the way you came.
Favors will be returned, debts will be repaid.
Do not forget your manners.
Do not look back.
Ride the wise eagle (you shall not fall).
Ride the silver fish (you will not drown).
Ride the grey wolf (hold tightly to his fur).
There is a worm at the heart of the tower;
that is why it will not stand.
When you reach the little house, the
place your journey started,
you will recognize it, although it will seem
much smaller than you remember.
Walk up the path, and through the garden
gate you never saw before but once.
And then go home. Or make a home.
Or rest.
Neil Gaiman ~ 2000
Poetry: “Cenotaph” and “Lessons” by Danny Martin
Posted in 2000s, Poetry, tagged Poetry, War on November 11, 2012| 2 Comments »
This November 11th, two poems by ex-soldier Danny Martin of Liverpool, who served two tours of duty in Iraq.
CENOTAPH
The
cenotaph
was first made
of wood;
a temporary tree
for the “Glorious Dead”.
Wood can’t hold the will
of the wolf.
So us little pigs
build in stone now, it lasts
longer. It can be added to
that monument to “the war to end all wars”
spawned more.
Portland stone
is a blank canvas.
It wants to be filled.
It craves names.
It lusts
for the chisel tip.
Danny Martin ~ 2008
(Note about Portland Stone: Portland stone is the preferred material for many war memorials, including the Cenotaph in London and the new National Arboretum in Staffordshire. During a recent visit to the Arboretum I was struck at the sheer size of its main war memorial, and the vast blank slabs waiting to be filled. – DM)
LESSONS
Do away with medals
Poppies and remembrance parades
Those boys were brave, we know
But look where it got them
Reduced to line after perfect line
Of white stones
Immobile, but glorious, exciting
To kids who haven’t yet learned
That bullets don’t make little red holes
They rip and smash and gouge
And drag the world’s dirt behind them
Remember lads, you won’t get laid
No matter how good your war stories
If you’re dead
So melt down the medals
Fuel the fire with paper poppies, war books and Arnie films
Stop playing the pipes, stop banging the drums
And stop writing fucking poems about it.
Danny Martin ~ 2008
*****
The sentiments expressed here remind me of the thoughts and words of my own father, a World War II veteran, born 1923, died 2006. A teenage farm boy conscripted as a soldier in the German Army, he and many other young men on all sides of the conflict did what they were told was their duty. And every survivor bore scars, even those who came through physically unmarked.
Dad had been wounded physically and emotionally, and though he recovered to a great degree, he personally took exception to the term “The Glorious Dead”, which is engraved – as it is on so many others across our country – on the Cenotaph in Quesnel. Every time we passed it, he would soberly say, “There is nothing glorious about war. Nothing. Anyone who tries to dress it up with words is a fool. It’s just a bunch of boys trying to kill each other, by orders of men standing out of the way of the bullets. All this fuss with the poppies and speeches is covering up the truth of what goes on in war. We are so stupid that we never learn to do things differently, just find new ways to kill each other, then cry and write poems about it.”
I never had any answer to that speech.
What can we say, those of us who haven’t walked that road?
For more: War Poetry by Danny Martin.
Poem: Field of Autumn by Laurie Lee
Posted in 1940s, My World, Poetry, tagged My World, Poetry on October 27, 2012| 2 Comments »
FIELD OF AUTUMN
Slow moves the acid breath of noon
over the copper-coated hill,
slow from the wild crab’s bearded breast
the palsied apples fall.
Like coloured smoke the day hangs fire,
taking the village without sound;
the vulture-headed sun lies low
chained to the violet ground.
The horse upon the rocky height
rolls all the valley in his eye,
but dares not raise his foot or move
his shoulder from the fly.
The sheep, snail-backed against the wall,
lifts her blind face but does not know
the cry her blackened tongue gives forth
is the first bleat of snow.
Each bird and stone, each roof and well,
feels the gold foot of autumn pass;
each spider binds with glittering snare
the splintered bones of grass.
Slow moves the hour that sucks our life,
slow drops the late wasp from the pear,
the rose tree’s thread of scent draws thin –
and snaps upon the air.
Laurie Lee ~ 1945
Poem: “The Last Days of Summer Before the First Frost” by Tim Bowling
Posted in 2010s, My World, Poetry, tagged Canadian, My World, Poetry on October 3, 2012| Leave a Comment »
Tim Bowling, 2011
Poem: “Blackberrying” by Anne Clegg
Posted in 2010s, Poetry, tagged Poetry on September 3, 2012| Leave a Comment »
Blackberrying
Anne Clegg ~ 2010
Poem: “How to Eat Raspberries” by Jo Heather Briggs
Posted in 2010s, Poetry, tagged Poetry on September 3, 2012| Leave a Comment »














