Posts Tagged ‘Poetry’

 Happy summer, my fellow reading friends!

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Colors passing through us

 

Purple as tulips in May, mauve

into lush velvet, purple

as the stain blackberries leave

on the lips, on the hands,

the purple of ripe grapes

unlit and warm as flesh.

 

Every day I will give you a color,

like a new flower in a bud vase

on your desk. Every day

I will paint you, as women

color each other with henna

on hands and on feet.

 

Red as henna, as cinnamon,

as coals after the fire is banked,

the cardinal in the feeder,

the roses tumbling on the arbor

their weight bending the wood

the red of the syrup I make from petals.

 

Orange as the perfumed fruit

hanging their globes on the glossy tree,

orange as pumpkins in the field,

orange as butterflyweed and the monarchs

who come to eat it, orange as my

cat running lithe through the high grass.

 

Yellow as a goat’s wise and wicked eyes,

yellow as a hill of daffodils,

yellow as dandelions by the highway,

yellow as butter and egg yolks,

yellow as a school bus stopping you,

yellow as a slicker in a downpour.

 

Here is my bouquet, here is a sing

song of all the things you make

me think of, here is oblique

praise for the height and depth

of you and the width too.

Here is my box of new crayons at your feet.

 

Green as mint jelly, green

as a frog on a lily pad twanging,

the green of cos lettuce upright

about to bolt into opulent towers,

green as Grand Chartreuse in a clear

glass, green as wine bottles.

 

Blue as cornflowers, delphiniums,

bachelors’ buttons. Blue as Roquefort,

blue as Saga. Blue as still water.

Blue as the eyes of a Siamese cat.

Blue as shadows on new snow, as a spring

azure sipping from a puddle on the blacktop.

 

Cobalt as the midnight sky

when day has gone without a trace

and we lie in each other’s arms

eyes shut and fingers open

and all the colors of the world

pass through our bodies like strings of fire.

 

Marge Piercy ~ Southern California Anthology ~ 1999

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The Unhappy People

 

Professor, may I introduce you

to two of the Unhappy People, whom you’ve described

as inhabiting a cultural vacuum

somewhere between the swamps of Frustration

and the salt sea of Despair.

May I present my wife’s cousins, Corey and Brent.

You will note immediately that their teeth are translucent,

the colour of reconstituted powdered milk,

which can be attributed to hereditary malnutrition,

as their lack of earlobes can be ascribed to inbreeding.

You are free to make notes, if you wish.

At worst, they’ll merely laugh at you.

 

Professor, I must ask you to forgive

the mandolin, the five-string banjo, the guitar, the fiddle

and the jew’s-harp. I must ask you to bear with

Brent when he dances – he prefers it to walking to

the refrigerator for another beer – and Corey when he

scratches

his groin in symbolic tribute to the girl in the yellow

bathing suit

playing with a frisbee on the grass across the street.

I know it’s distracting when, for no apparent reason,

they break into song. I can understand your not laughing

with them when they talk about driving

four-year-old cars at one hundred and ten

miles per hour down dirt roads with the police behind them,

of overturning and wondering drunkenly how to shut off

the headlights, until logic triumphed and they kicked

them out.

I beg you not to be disturbed when they whoop

at the tops of their voices – it’s in their blood,

I’m afraid, their way of declaring an instantaneous holiday

and, besides, Brent got out of jail this morning

or, as he puts it, got back from his annual vacation,

having been locked up this time because he didn’t

know his own strength, he says, and when he was refused

service

at the liquor store, being drunk, forgot he was carrying

nothing under his left arm to offset the force of his right

pushing open the door on his way out and so, purely by

accident,

drove his fist through the glass:

it could have happened to anybody, Your Honour,

he told the Court. You must excuse Corey, Professor,

like every other member of his family he walks in and out

of rooms without thinking it necessary to offer

any explanation. When they arrive at my house

or any other, they open the door, come in, sit down

and, perhaps, switch on the radio. They’d expect you to do

the same.

If you go to the window, Professor, you’ll see

that he’s talking with the girl in the yellow bathing suit

and already has her laughing. “Once you got them laughing,

you’re as good as in bed with them,” Brent says.

In celebration

he jumps up again and dances. They’ve brought venison

and wild rice and a half-dozen jars of their mother’s

homemade preserves and pickles, fresh loaves of her bread

two double cases of beer and a forty-ounce bottle

of dark rum, having shut down the cannery

where Corey works in honour of Brent’s homecoming.

“I said to hell with ‘er, let’s tie ‘er up.”

and with unanimous approval of his fellows,

conveyed without a word, he tied her up well

by making certain delicate adjustments to the machinery

when the bosses weren’t watching. His laughter and his

brother’s

laughter and the laughter of the girl in the yellow bathing

suit

mingle and rise like water from a garden hose, spraying the

windows

from inside and out. The passersby turn

and smile, a neighbour’s dog runs to see what’s happening,

a host of starlings take wing, the tiger lilies are in flower

at the edge of the parking lot next to this house.

Professor, I don’t suppose you’d care to arm-wrestle?

 

Alden Nowlan ~ Smoked Glass ~ 1977

This poem is dedicated to some guys I used to know.

Gone, most of them, flamed out and crashed and burned in (mostly) self-imposed self-destruction.

The hard living took its toll, but they had a grand time while it lasted.

And they made a lot of people laugh.

Gone, but definitely not forgotten!

 

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A happy find yesterday while book-shopping! Two volumes of poetry by Edna St. Vincent Millay, Collected Lyrics and Collected Sonnets, both published by Harper & Row mid-2oth Century, with poems chosen by Millay herself. And while peacefully reading Lyrics this rainy, windy morning, the following struck me as almost too perfectly appropriate.

Enjoy.

Raindrops turn to icedrops as the wind comes from the north ... Hill Farm, April 5, 2013

Raindrops turn to icedrops as the wind comes from the north … Hill Farm, April 5, 2013

Northern April

 

O mind, beset by music never for a moment quiet, –

The wind at the flue, the wind strumming the shutter;

The soft, antiphonal speech of the doubled brook, never for a moment quiet;

The rush of the rain against the glass, his voice in the eaves-gutter!

 

Where shall I lay you to sleep, and the robins be quiet?

Lay you to sleep – and the frogs be silent in the marsh?

Crashes the sleet from the bough and the bough sighs upward, never for a moment quiet.

April is upon us, pitiless and young and harsh.

 

O April, full of blood, full of breath, have pity upon us!

Pale, where the winter like a stone has been lifted away, we emerge like yellow grass.

Be for a moment quiet, buffet us not, have pity upon us,

Till the green comes back into the vein, till the giddiness pass.

 

Edna St. Vincent Millay ~ 1928

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man & nature efb 2012

Thinking of T.S. Eliot tonight, because of the way his poetry has been showing up in my reading lately. I’ve just finished reading Hugh Walpole’s The Joyful Delaneys, and was intrigued by the snippet of Eliot verse on the frontispiece, so I searched it out. It’s from a play, The Rock, written and performed in 1934. I’ve gone through the verses and highlighted those which I found the most compelling; the entire work is 21 pages long, so it is a bit lengthy to include in its entirety here.

The Rock was performed as a pageant to raise money for the building of new churches in London. It speaks to mankind’s relation to God, about the implications of a world lived without religion, and, more to the point, what it means to build a church. The famous “Choruses” are spoken by bands of workmen. The Rock is strongly pro-religion with anti-fascist/anti-communist overtones, in reaction to the looming shadow of the totalitarian regimes building in Europe, and the rumblings of the coming Second World War.

The entire text can be found here: T.S. Eliot – The Rock

Even taken out of context with the whole work, many of these verses are memorable.

*****

The Eagle soars in the summit of Heaven,

The Hunter with his dogs pursues his circuit.

О perpetual revolution of configured stars,

О perpetual recurrence of determined seasons,

О world of spring and autumn, birth and dying!

***

Where is the Life we have lost in living?

Where is the wisdom we have lost in knowledge?

Where is the knowledge we have lost in information?

***

I journeyed to London, to the timekept City,

Where the River flows, with foreign flotations.

There I was told: we have too many churches,

And too few chop-houses. There I was told:

Let the vicars retire. Men do not need the Church

In the place where they work, but where they spend their

Sundays.

In the City, we need no bells:

Let them waken the suburbs.

I journeyed to the suburbs, and there I was told:

We toil for six days, on the seventh we must motor

To Hindhead, or Maidenhead.

If the weather is foul we stay at home and read the papers.

In industrial districts, there I was told

Of economic laws.

In the pleasant countryside, there it seemed

That the country now is only fit for picnics.

And the Church does not seem to be wanted

In country or in suburbs; and in the town

Only for important weddings.

***

The world turns and the world changes,

But one thing does not change.

In all of my years, one thing does not change.

However you disguise it, this thing does not change:

The perpetual struggle of Good and Evil.

***

The desert is not remote in southern tropics,

The desert is not only around the corner,

The desert is squeezed in the tube-train next to you.

The desert is in the heart of your brother.

***

The voices of the Unemployed:

No man has hired us

With pocketed hands

And lowered faces

We stand about in open places

And shiver in unlit rooms.

Only the wind moves

Over empty fields, untilled

Where the plough rests, at an angle

To the furrow. In this land

There shall be one cigarette to two men,

To two women one half pint of bitter

Ale. In this land

No man has hired us.

Our life is unwelcome, our death

Unmentioned in “The Times.”

***

What life have you if you have not life together?

There is no life that is not in community,

And no community not lived in praise of God.

***

And now you live dispersed on ribbon roads.

And no man knows or cares who is his neighbour

Unless his neighbour makes too much disturbance,

But all dash to and fro in motor cars,

Familiar with the roads and settled nowhere.

Nor does the family even move about together.

But every son would have his motor cycle,

And daughters ride away on casual pillions.

***

In the land of lobelias and tennis flannels

The rabbit shall burrow and the thorn revisit,

The nettle shall flourish on the gravel court,

And the wind shall say: “Here were decent godless people:

Their only monument the asphalt road

And a thousand lost golf balls.”

***

When the Stranger says: “What is the meaning of this city?

Do you huddle close together because you love each other?”

What will you answer? “We all dwell together

To make money from each other”? or “This is a community”?

And the Stranger will depart and return to the desert.

О my soul, be prepared for the coming of the Stranger,

Be prepared for him who knows how to ask questions.

О weariness of men who turn from God

To the grandeur of your mind and the glory of your action,

To arts and inventions and daring enterprises.

To schemes of human greatness thoroughly discredited.

Binding the earth and the water to your service,

Exploiting the seas and developing the mountains,

Dividing the stars into common and preferred.

Engaged in devising the perfect refrigerator,

Engaged in working out a rational morality,

Engaged in printing as many books as possible,

Plotting of happiness and flinging empty bottles,

Turning from your vacancy to fevered enthusiasm

For nation or race or what you call humanity;

Though you forget the way to the Temple,

There is one who remembers the way to your door:

Life you may evade, but Death you shall not.

You shall not deny the Stranger.

***

But it seems that something has happened that has never happened before:

though we know not just when, or why, or

how, or where.

Men have left God not for other gods, they say, but for no god;

and this has never happened before

That men both deny gods and worship gods, professing first

Reason,

And then Money, and Power, and what they call Life, or Race,

or Dialectic.

The Church disowned, the tower overthrown, the bells up-

turned, what have we to do

But stand with empty hands and palms turned upwards

In an age which advances progressively backwards?

***

T.S. Eliot ~ 1934

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INSTRUCTIONS

Touch the wooden gate in the wall you never saw

                                     before.

Say “please” before you open the latch,

go through,

walk down the path.

A red metal imp hangs from the

               green-painted front door,

as a knocker,

do not touch it; it will bite your fingers.

Walk through the house. Take nothing. Eat nothing.

However, if any creature tells you that it hungers,

feed it.

If it tells you that it is dirty,

clean it.

If it cries to you that it hurts,

if you can,

ease its pain.

From the back garden you will be able to see the wild

                                             wood.

The deep well you walk past leads down to Winter’s

                                             realm;

there is another land at the bottom of it.

If you turn around here,

you can walk back, safely;

you will lose no face. I will think no less of you.

Once through the garden you will be in the wood.

The trees are old. Eyes peer from the undergrowth.

Beneath a twisted oak sits an old woman.

                           She may ask for something;

give it to her. She

will point the way to the castle. Inside it

are three princesses.

Do not trust the youngest. Walk on.

In the clearing beyond the castle the

                    twelve months sit about a fire,

warming their feet, exchanging tales.

They may do favors for you, if you are polite.

You may pick strawberries in December’s frost.

Trust the wolves, but do not tell them

where you are going.

The river can be crossed by the ferry.

The ferryman will take you.

(The answer to his question is this:

If he hands the oar to his passenger, he

will be free to leave the boat.

Only tell him this from a safe distance.)

If an eagle gives you a feather, keep it safe.

Remember: that giants sleep too soundly; that

witches are often betrayed by their appetites;

dragons have one soft spot, somewhere, always;

hearts can be well-hidden,

and you betray them with your tongue.

Do not be jealous of your sister.

Know that diamonds and roses

are as uncomfortable when they tumble

                    from one’s lips as toads and frogs:

colder, too, and sharper, and they cut.

Remember your name.

Do not lose hope — what you seek will be found.

Trust ghosts. Trust those that you have

                helped to help you in their turn.

Trust dreams.

Trust your heart, and trust your story.

When you come back, return the way you came.

Favors will be returned, debts will be repaid.

Do not forget your manners.

Do not look back.

Ride the wise eagle (you shall not fall).

Ride the silver fish (you will not drown).

Ride the grey wolf (hold tightly to his fur).

There is a worm at the heart of the tower;

                             that is why it will not stand.

When you reach the little house, the

                      place your journey started,

you will recognize it, although it will seem

                       much smaller than you remember.

Walk up the path, and through the garden

                           gate you never saw before but once.

And then go home. Or make a home.

Or rest.

Neil Gaiman ~ 2000

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This November 11th, two poems by ex-soldier Danny Martin of Liverpool, who served two tours of duty in Iraq.

CENOTAPH

The

cenotaph

was first made

of wood;

a temporary tree

for the “Glorious Dead”.

Wood can’t hold the will

of the wolf.

So us little pigs

build in stone now, it lasts

longer. It can be added to

that monument to “the war to end all wars”

spawned more.

 Portland stone
is a blank canvas.
It wants to be filled.
It craves names.
It lusts
for the chisel tip.

Danny Martin ~ 2008

(Note about Portland Stone: Portland stone is the preferred material for many war memorials, including the Cenotaph in London and the new National Arboretum in Staffordshire. During a recent visit to the Arboretum I was struck at the sheer size of its main war memorial, and the vast blank slabs waiting to be filled.  – DM)

LESSONS

Do away with medals
Poppies and remembrance parades
Those boys were brave, we know
But look where it got them

Reduced to line after perfect line
Of white stones
Immobile, but glorious, exciting
To kids who haven’t yet learned
That bullets don’t make little red holes

They rip and smash and gouge
And drag the world’s dirt behind them
Remember lads, you won’t get laid
No matter how good your war stories

If you’re dead
So melt down the medals
Fuel the fire with paper poppies, war books and Arnie films
Stop playing the pipes, stop banging the drums
And stop writing fucking poems about it.

Danny Martin ~ 2008

*****

The sentiments expressed here remind me of the thoughts and words of my own father, a World War II veteran, born 1923, died 2006.  A teenage farm boy conscripted as a soldier in the German Army, he and many other young men on all sides of the conflict did what they were told was their duty. And every survivor bore scars, even those who came through physically unmarked.

Dad had been wounded physically and emotionally, and though he recovered to a great degree, he personally took exception to the term “The Glorious Dead”, which is engraved – as it is on so many others across our country –  on the Cenotaph in Quesnel. Every time we passed it, he would soberly say, “There is nothing glorious about war. Nothing. Anyone who tries to dress it up with words is a fool. It’s just a bunch of boys trying to kill each other, by orders of men standing out of the way of the bullets.  All this fuss with the poppies and speeches is covering up the truth of what goes on in war. We are so stupid that we never learn to do things differently, just find new ways to kill each other, then cry and write poems about it.”

I never had any answer to that speech.

What can we say, those of us who haven’t walked that road?

For more: War Poetry by Danny Martin.

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FIELD OF AUTUMN

Slow moves the acid breath of noon
over the copper-coated hill,
slow from the wild crab’s bearded breast
the palsied apples fall.

Like coloured smoke the day hangs fire,
taking the village without sound;
the vulture-headed sun lies low
chained to the violet ground.

The horse upon the rocky height
rolls all the valley in his eye,
but dares not raise his foot or move
his shoulder from the fly.
The sheep, snail-backed against the wall,
lifts her blind face but does not know
the cry her blackened tongue gives forth
is the first bleat of snow.

Each bird and stone, each roof and well,
feels the gold foot of autumn pass;
each spider binds with glittering snare
the splintered bones of grass.

Slow moves the hour that sucks our life,
slow drops the late wasp from the pear,
the rose tree’s thread of scent draws thin –
and snaps upon the air.

Laurie Lee ~ 1945

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The Last Days of Summer Before the First Frost

Here at the wolf’s throat, at the egress of the howl,
all along the avenue of deer-blink and salmon-kick
where the spider lets its microphone down
into the cave of the blackberry bush—earth echo,
absence of the human voice—wait here
with a bee on your wrist and a fly on your cheek,
the tiny sun and tiny eclipse.
It is time to be grateful for the breath
of what you could crush without thought,
a moth, a child’s love, your own life.
There might never be another chance.
How did you find me, the astonished mother says
to her four-year-old boy who’d disappeared
in the crowds at the music festival.
I followed my heart, he shrugs,
so matter-of-fact you might not see
behind his words
(o hover and feed, but not too long)

the bee trails turning to ice as they’re flown.

Tim Bowling, 2011

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Blackberrying

 
Although it would be nice to be prepared
with sun hat, strong shoes, bags galore,
it happens quite by chance –
you see them – a scrummage of brambles,
arching branches alongside an old quarry,
a hedge held hostage by thorns –
you follow a track off a dis-used road,
and there, gleaming through green leaves,
the luscious, shiny, sweet black fruit teases
your fingers with its abundance.
 
No matter how hard you try to fill
your makeshift bag, how far you stretch
to pick each tantalising treasure, you
never get quite enough to satisfy desire.
Next time, you promise, licking blue-black
fingertips and as many scratches as your tongue
can touch, next time we’ll do it properly –
you never do – somehow this furtive game
reaps its own sly pleasure.
 

Anne Clegg ~ 2010

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How to Eat Raspberries

 
My father taught me about raspberries,
how to pick them, to brave the gloom of green,
where leaves slip rain down your back,
clay sucks at sandalled toes
and your hair is caught and hurting.
‘You’ll find what others have missed’, he said,
‘the deepest are sweetest of all.’
 
My lover taught me about raspberries,
how to eat them, a punnet in each china bowl,
shake on sweet dust, pour cream
to soften and shroud them
wild and bloody, white and gold.
‘Don’t be half-hearted. How long,’ he asked,
‘does summer last?’ Not long. I know.
 

Jo Heather Briggs ~ 2010

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