The end of March, and the snow lingers on… The vista in our neck of the woods a week or so ago.

Spring is coming hard this year. It‘s still below zero almost every night, there’s an awful lot of ice on the riverbank and piled up on the sandbars, and there are still a few snowbanks in the shady spots. Nary a bit of green on any tree, though there are burgeoning leaf buds on the lilacs and cottonwood trees.

What’s a yearning-for-spring gardener to do, then, but to throw an overnight bag in the car, summon a travelling companion, and head out on a little horticultural road trip?!

Using the excuse of a plant show and sale put on by a garden club we belong to (long distance, as it were), we headed off to Vancouver – seven non-stop hours by car away – for a whirlwind round of visiting the two major botanical gardens, hobnobbing with fellow botanists, admiring the spectacular specimens in the plant show, and (of course!) spending far too much money on new-to-us plants.

Oh, and we did hit a few used book stores, too. With predictable results.

Back home now, with heads full of garden dreams, and a stack of potentially wonderful reading material to fill up the few extra minutes between our very late evening meals and lights-out.

The posting silence lately can be blamed squarely on the season. Good intentions galore, and some interesting things piling up on the “must deal with” stack, but I just can’t focus…

Shall try harder.

As recompense for the recent blog silence, here are a very few glimpses of what we saw on our recent travels. It’s spring down south!

The most beautiful Pasque Flowers I’ve ever yet seen – Pulsatilla grandiflora, University of British Columbia Botanical Garden, Vancouver, B.C., March 31, 2017.

Our native Skunk Cabbage, Lysichiton americanus. None showing here yet, but in full exotic bloom in warmer climes. UBC Botanical Garden, March 31, 2017.

Too tender for our region, but a high point of spring coastal visits – glorious magnolias at UBC, March 31, 2017.

Rose-like Camellias bloom in the mild coastal rain. Van Dusen Botanical Garden, Vancouver, B.C., April 1, 2017.

The Removers by Donald Hamilton ~ 1961. This edition: Fawcett Gold Medal Books, 1963. Paperback. 176 pages.

Sometimes pictures are the best shortcut. Here we are then, with all you really need to know.

Oh, you didn’t really think I’d let this go without writing something more, did you?

I’ll keep it ultra-brief.

Think period piece, Cold War era kill-or-be-killed action fiction.

Beautiful women, in various shades of dangerous, dot our hero’s personal landscape.

Russian spies (or are they?), drug dealers, and an atomic sub-plot.

Helm drives an old pickup truck; his current love interest a ladylike shiny-new Mercedes ragtop; his ex-wife’s new man a sweet green Jaguar. Vroom vroom.

Blood flows, lots and often.

Matt Helm adds some interesting scars to his vast collection.

And you’ll never look at an Afghan hound the same way again.

In other words, good manly entertainment, clipping along in top gear speed.

My rating, you ask?

10/10.

Because it was so much better than I expected it to be. (My expectations were admittedly quite low.) Turns out that I couldn’t put it down.

Number three in a series of something like twenty-three. Or is it twenty-seven? Hang on. Twenty-seven. Thank you, Wikipedia.

Next stop, ABE, for the two preceding books, because these build on each other in good serial fiction fashion.

 

 

First edition dust jacket, illustration by the author. As well as being a writer, Frances Faviell was a professional portrait artist. Side note: the girl in the picture is not, as one might expect, the eponymous Thalia, but is instead the novel’s narrator, the fledgling artist, Rachel.

Thalia by Frances Faviell ~ 1957. This edition: Cassell & Company, 1957. Hardcover (re-bound). 288 pages.

When the car was approaching the docks I looked at my aunt and it seemed to me that this – a profile – was all we ever knew of anyone. We can never know all the aspects but merely those which are shown to us. Was she as lonely as I was? She appeared suddenly such a small person and one at whom I had never really looked…

This story is set in the mid-1930s, from the perspective of the narrator looking back some twenty years later at a life-altering segment of time.

Eighteen-year-old Rachel – mother dead, father off on his own business – has been living with her aunt while studying art at the Slade. After disgracing herself by painting an unflatteringly caricatured portrait of the vicar who is her aunt’s dear friend, Rachel is being packed off to France to act as an unpaid companion to the teenage daughter of a family friend, while her aunt, accompanied by the vicar of the portrait, goes off on an excursion to Egypt.

Arriving in the seaside Brittany village of Dinard, home to a thriving Anglo-American community of penny-pinching expatriates resident in a collection of rental villas, Rachel is prepared to make the best of her experience, though she is uneasy as to how she will fit into the household which consists of her charges, fifteen-year-old Thalia and six-year-old Claude, and their beautiful and indolent mother, Cynthia. The Pembertons have settled in Dinard while the father of the family, Colonel Tom Pemberton, returns to India, where he is engaged in a dangerous military operation on the volatile North-West frontier.

Thalia is in the full throes of an awkward and unattractive adolescence. Mousy haired, sulky faced, inflicted with a skin covered by masses of brown, patchy freckles, Thalia is well aware of her mother’s distaste for her.

Cynthia openly rejects and callously neglects her cuckoo’s-child daughter, concentrating all of her maternal instincts onto her beautiful young son. Golden-haired Claude is lovely to look at, but a demanding and obnoxiously spoiled child, every whim pandered to by his mother in her attempt to avoid his tantrums.

Cynthia lives in self-protective seclusion from the real world, nursing her reputed “heart ailment”, drifting in a sleeping-pill induced haze and seldom leaving her bedroom until noon. When she emerges, she wafts off to ill-afforded bridge-playing afternoons, and ill-concealed dalliances with an old lover, Terence Mourne, ex-compatriot of Colonel Pemberton’s, who has resigned his commission due to a disgrace in which young Thalia has had a leading hand.

The household help is a young Frenchwoman of reputed loose morals, much to the enjoyment of the local permanent residents, who view the English and American residents of Dinard as a constantly changing real-life dramatic ensemble, good for a chuckle as they inevitably flout unwritten rules of etiquette, and good as well for a constant low-key fleecing at the hands of their French employees.

Thalia focusses immediately on Rachel, pouring out all her unrequited affection in an attempt to win attention to herself. Rachel, feeling sympathy for Thalia’s status as the unwanted, coldly rejected child of her mother (though not her now-absent father), reciprocates as much as she feels herself able to, though Thalia’s fixation on Rachel takes on an obsessive tone.

When Rachel falls in love with a young Frenchman, Armand, Thalia’s jealousy unleashes her full potential for secretive revenge plots, and the already deeply unhealthy situation at the Pemberton villa deteriorates in a grand and ultimately tragic manner.

Not what one would call a happy book – oh, no! – but enthralling in its depiction of late-adolescent angst – Rachel’s as much as Thalia’s – and of people making a series of bad decisions and finding themselves overwhelmed by the consequences thereof.

Frances Faviell writes her scenes with meticulous attention to telling detail, something I noted in Faviell’s autobiographical account of living through the London Blitz of 1940-41 , A Chelsea Concerto. Her painter’s eye transposes perfectly into her writer’s voice, and the combination is a winning one.

There is almost a clinical feel to Rachel’s unemotional telling of what happened during those months in France which occasionally feels chilled and tamped down, until one reminds oneself that the story is being told from several decades away in time, with the reflection of an adult Rachel attempting to explain the impulsive actions of the teenage Rachel put into a situation very much out of her depth to competently deal with.

A dark, frequently melodramatic bildungsroman of a book, which I found enthralling from start to finish.

My rating: 9.5/10

The half point keeping it from being a full-out “10” is for the main protagonist’s switch of loyalties as the tale winds down; I found that I couldn’t quite believe in her emotional development in this particular way, though as the novel progresses Rachel becomes more and more what we might term an unreliable narrator, and this may well be a deliberate move on the author’s part.

If I could name a perfect shelfmate to Thalia, it would have to be The Greengage Summer, by Rumer Godden. Similar high standard of writing, similar settings, similar themes, and, most of all, similar takeaway that growing up can be a deeply bitter process, full of betrayal by and of people once beloved.

 

Tryst by Elswyth Thane  ~ 1939. This edition: Harcourt, Brace & Co., 1939. Hardcover (re-bound). 256 pages.

March is not behaving very spring-like at present – it’s a briskish minus 11 Celsius out there right now, and snow has been drifting down all night – so what better time than to read a nice, cosy, ghostly love story?

 It’s hard to know how to say it – but – oh, God, if I’ve earned heaven when I die, let me have England first, let me have England instead

Hilary Shenstone, British secret agent on the troubled Northwest Indian frontier, catches a fatal bullet, but before he pegs out eternally, at the end of a long, beautifully manly, and oh-so-stereotypically-English death scene, he makes the plea quoted above.

God, being sympathetic to Englishmen (as we are so often told), grants his wish, and Hilary’s shade finds itself back in England, sitting on a London embankment, watching a potential suicide being dissuaded from a plunge into the Thames by a compassionate passer-by.

Hilary, being new to the whole business of ghosting, takes some time to learn the ropes, but he quite quickly manages to relocate himself back to his beloved family home, Nun’s Farthing, which has been leased to a scholarly professor for a year, since none of the family (except Hilary, who is often called away on his hush-hush missions) particularly cares to reside there.

The professor-now-in-residence, long-widowed, is accompanied by his dithery spinster sister and his lonely, bookish, social-misfit seventeen-year-old daughter, Sabrina.

(Do you see where we’re going yet?)

Sabrina finds herself fascinated by the locked room which belongs to the absent Hilary; she goes so far as to pick the lock to gain entry, and the room becomes her almost-secret retreat. “Almost”, because tight-lipped, apparently unemotional Mrs. Pilton, the longtime housekeeper of Nun’s Farthing who stays on to oversee the renters, secretly hands over the room’s key to Sabrina, giving her the nod to go in and while away her long days curled up in the sunny window seat, reading her way through Hilary’s large collection of books.

My ex-library copy has seen some hard use. But, though stained and worn throughout, I did not notice any dog-eared pages, so the forbidding stamp which an enthusiastic long-ago librarian dabbed on chapter headings throughout has obviously had its desired effect.

Hilary (in shade form) returns; he becomes immediately infatuated with the sensitively imaginative Sabrina, while she, in her turn, finds herself unable to think of anything else but the man whom she is becoming to know through his possessions and his taste in books.

The news eventually comes that Hilary is dead. Sabrina takes it inexplicably hard; her occupation of Hilary’s old room becomes common knowledge; her appalled and worried father and aunt decide that a move might well be in order, though Sabrina begs to stay…

Stopping right there, I am.

This is a book I would have loved dearly to read as a teenager, and even at this far from teenager-ish age I found it deeply appealing.

Tryst is not particularly well-written, for there are all sorts of gaps in logic and the whole ghost thing is uneven at best. The author is most inconsistent in what her creation is able to do: he can’t be seen (except by dogs, who fearfully growl at him, and cats, who twine about his unseen ankles in feline ecstasy), his writing (as a ghost) can’t be read, he needs to wait for some doors to be opened yet he can pass through walls at will, move items about, and he leaves physical signs of his presence all over the place – a squashed cushion here, a rumpled bedcover there. At one point he even takes a bath!

But I loved it. It’s somehow deeply appealing, despite its inconsistencies, and I happily entered into the tale, squashing my cynical thoughts firmly underfoot.

Marketed (apparently?) to the adult audience of its time, it’s more of what one would consider a teen girls’ novel today. Fine literature Tryst isn’t, but it’s an engagingly effortless read, which is now going onto the guaranteed re-reads section of the keeper shelf, alongside its sisters-in-theme The Sherwood Ring and The Perilous Gard, by Elizabeth Marie Pope.

A full extra point awarded for the Kipling references, in particular the connections to Kim, and to Puck of Pook’s Hill, two books which I hold in the very highest personal regard.

My rating: 9.5/10

 

 

Swiss Sonata by Gwethalyn Graham ~ 1938. This edition: Cormorant Books, 2005. Introduction by Elspeth Cameron. Softcover. ISBN: 1-896951-62-7. 326 pages.

What an interesting book this turned out to be, and, after a somewhat uneven start, an absorbing story both for its historical value and for the small personal sagas of its invented characters.

I first became aware of author Gwethalyn Graham after reading Gentleman’s Agreement by Laura Z. Hobson last year. That novel was all about anti-Semitism in American society in the immediate post-World War II years, and in looking into the background of that particular novel, I came across mention of a Canadian writer – Gwethalyn Graham – who wrote a well-received novel on a similar theme – 1944’s Earth and High Heaven.

“Well received”, you’ll note that I said. This is something of an understatement, as both Earth and High Heaven and Swiss Sonata won the Canadian Governor General’s Literary Award for Fiction – in 1938 and 1944 – a remarkable achievement for a writer’s first two (of only three) published works.

Looking into Gwethalyn Graham – see, this is how these things happen, wandering down each enticing literary rabbit trail! – I found mention of her first novel, published when she was 25 years old. Swiss Sonata was based on Graham’s personal experiences as a student at a Swiss “finishing school” in the 1930s, and it sounded like it might be an amusing read.

Which it turned out to be, in bits here and there, but its overwhelming concentration was on much darker world affairs affecting a group of schoolgirls – some, to be said, not exactly girls but in actuality young women – and their instructors, resident in a small Swiss boarding school in 1935.

Kirkus had this to say in its 1938 review, and I fully concur.

A first novel that is well handled and the story of a finishing school in Switzerland, whose pupils come from many countries. A miniature League of Nations, the problems current in 1935 are reflected in the school, pro-Hitlerite persecutes German-Jew, counter-revolutionary interests are hidden from the public eye. There are emotional, psychological problems, and the head-mistress is forced out of her ivory tower into active participation in the girls’ lives. Vicky, the heroine, is a bit too good to be true, but the story, after a slow start, does carry you along, interested in the outcome. A far-better-than-average girls’ school story.

Time presses, and I will leave you here, with these last few links well worth perusal.

Now interested in Gwethalyn Graham, and want to find out more? Here you go, a grand post on her increasingly tragic back story from the Only Connect blog.

And Brian Busby of The Dusty Bookcase blog, whose opinion on all things bookish I hold in the very highest regard, has this to say.

My personal “reading satisfaction” rating of Swiss Sonata: 7/10.

I liked it, and found its slight unevenness very forgivable. In some parts the emotional tension was exceedingly well sustained, and though I, like the Kirkus reviewer, found the heroine Vicky just a bit too good to be true, I eventually found myself completely won over. Interesting ending, too.

Highly recommended for its historical value, well presented hand-in-hand with its psychodrama fictional theme.

 

 

 

twice-dead-e-m-channon-2Twice Dead by E.M. Channon ~ 1930. This edition: Greyladies Press, 2010. Foreword by Hilary Clare. Softcover. ISBN: 978-1-907503-04-7. 229 pages.

My rating: 6ish/10

After my recent enjoyment of Channon’s mathematical romance Little G, I thought it worth taking a gamble on one of her several mystery novels, and yesterday brought me Twice Dead, courtesy of the nicely efficient Royal Mail, which, in combination with our very own Canada Post, makes book delivery from Great Britain lightning fast.

A quick read it was, and reasonably diverting, though I must confess I fell asleep over it while reading in the bath last night.

Now this was only partly the fault of the book. Some of the blame must rest with the physical and mental exhaustion which is the norm for me this busiest time of year, as I scramble to stay on top of my numerous self-inflicted commitments.

Plain old tiredness combined with a tubful of warm water and the white noise of the little electric heater which we use to make our very cold bathroom reasonably fit for lingering in (not to mention the warm air wafting from it) knocked me out, and I woke with a start to a lukewarm tub and a slightly damp novel, for though it never actually got submerged (close thing, though!) it managed to wick up a bit of dampness while I was comatose.

But the book must take some of the responsibility for its almost-soggy state. It’s not the most stirring of reads.

In fact, don’t think I have ever read such a offhandedly casual sort of murder mystery, for all of its darkly passionate goings-on. Dirty deeds are done by heroes and villains both, and shrugs all round seems to be the pattern for official repercussions!

And everyone with such tremendous collections of secrets! My goodness. Complicated lives, these fictional folk lead.

Rich girl Sylvia, sweet-natured and lovely, has several men a-wooing her, but the one she secretly loves is (as far as she knows – heaven forbid she ask the man) affianced to another, so she kind-of-accidentally accepts a proposal from one of the second string, to her immediate regret.

For slightly effeminate Philip – his lack of manliness obviously inherited from his Italian mother – is only superficially charming. On closer acquaintance he’s a bit of a sissy, as far as personal discomfort goes, though he’s virile enough in his secretive pursuit of willing women, including, with tragic repercussions, Sylvia’s delicately lovely but morally corrupt cousin Anne.

A disguised fortune-teller has recently informed Philip that he is heading for a bad end – he will end up “twice dead” – but he shrugs it off, once he discovers that the soothsayer in question is someone well-known to him from his shady past. He thinks she’s just telling him tales as a sort of twisted revenge for how he wronged her.

She’s right, though. He’s doomed.

All the wrong people get the blame for Philip’s demise – or do they? What dark deeds were done in the shabby bedroom of the dingy little inn where Philip lay trapped with a broken leg?

Will the brilliant young village doctor be found guilty of Philip’s death in a court of law as well as the damning court of public opinion? And/or for the death of the mysterious fortune-teller, which follows closely after?

Will Sylvia’s secret flame come round to her sterling qualities, now that her Big Mistake is dead and gone? Or is he (Mr True Love) really going to marry his dynamically attractive cousin instead?

Why is Anne walking and talking in her sleep, all Lady Macbeth-like?

And what is the secret of the Chinese ink brush in the doctor’s curio cabinet?

All this, and more, in this crowded mystery-romance. Utterly period piece, with just enough witty exchanges and charming moments to rescue it from its otherwise ho-hum-ishness as a puzzle novel.

I’d definitely read more E.M. Channon, of any of her several genres, on the feeble strength of this one, and of the infinitely better Little G, but I won’t go so far as to recommend Twice Dead to the rest of you.

Give it a try, for sure, but keep your expectations modest.

(And don’t read it in the tub!)

I am the owner of a sort of mixed bag of a vanity project by the estimable (though occasional uneven) J.B. Priestley.

The book, published in 1951, is called Delight, and it is comprised of short vignettes – one hundred and fourteen of them – of things which gave Mr. Priestley deep (and often secret) joy.

scan0003-2

Occasionally, when in need of a reminder of how many such delightful things the most ho-hum life contains, I dip into this book and read about Fountains and Cosy Planning and Orchestras Tuning Up and Waking to Smell Bacon, etc., and rejoice in my turn in those small goodnesses.

Here’s one I know we can all relate to, apropos of nothing in particular, as it isn’t currently storming – though it is a bit chilly outside – and once I venture out one last time to fill the greenhouse woodstove chock full of the biggest logs I can manhandle into it, my warm bed and a good book await me.

I hope your collective evenings contain a similar pleasure.

Enjoy!

Fifty-One

There is a peculiar delight, which I can still experience though I knew it best as a boy, in cosily reading about foul weather when equally foul weather is beating hard against the windows, when one is securely poised between the wind and rain and sleet outside and the wind and rain and sleet that leap from the page into the mind.

The old romancers must have been aware of this odd little bonus of pleasure for the reader, and probably that is why so many of their narratives, to give them a friendly start, began with solitary horsemen, cloaked to the eyebrows, riding through the night on urgent business for the Duke, sustained by nothing more than an occasional and dubious ragout or pasty and a gulp or two of sour wine (always fetched by surly innkeepers or their scowling slatterns), on side-roads deep in mire, with wind, rain, thunder-and-lightning, sleet, hail, snow, all turned on at the full.

With the windows rattling away and hailstones drumming at the paper in the fireplace, snug in bed save for one cold elbow, I have travelled thousands and thousands of mucky miles with these fellows, braving the foulest nights, together crying ‘Bah!’